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	<title>High Definition for PC &#187; HSDL</title>
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	<description>Evolving Media Post Production Workflows in Light of Advancing Computer Technology</description>
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		<title>2K Monitoring</title>
		<link>http://www.hd4pc.com/techblog/2007/11/14/2k-monitoring/</link>
		<comments>http://www.hd4pc.com/techblog/2007/11/14/2k-monitoring/#comments</comments>
		<pubDate>Thu, 15 Nov 2007 06:51:45 +0000</pubDate>
		<dc:creator>McCarthyTech</dc:creator>
				<category><![CDATA[Industry Status]]></category>
		<category><![CDATA[2K I/O]]></category>
		<category><![CDATA[AJA]]></category>
		<category><![CDATA[Blackmagic]]></category>
		<category><![CDATA[HSDL]]></category>
		<category><![CDATA[Multibridge]]></category>
		<category><![CDATA[Nvidia]]></category>
		<category><![CDATA[Xena]]></category>

		<guid isPermaLink="false">http://www.hd4pc.com/techblog/2007/11/14/2k-monitoring/</guid>
		<description><![CDATA[There are much fewer monitoring options if your workflow requires full 2K resolution monitoring.  The primary reason for this is that most consumer gear and broadcast equipment all top out at 1920&#215;1080.  The HD-SDI and HDMI interfaces are both limited to 1080p in most cases as well.  HSDL (High Speed Data Link) is an older standard, developed specifically for [...]]]></description>
			<content:encoded><![CDATA[<p>There are much fewer monitoring options if your workflow requires full 2K resolution monitoring.  The primary reason for this is that most consumer gear and broadcast equipment all top out at 1920&#215;1080.  The HD-SDI and <a target="_blank" href="http://en.wikipedia.org/wiki/HDMI">HDMI</a> interfaces are both limited to 1080p in most cases as well.  HSDL (High Speed Data Link) is an older standard, developed specifically for transmiting 2K image data over regular BNC cables at HS-SDI frequencies.  AJA&#8217;s <a target="_blank" href="http://www.aja.com/html/products_windows_xena_2K.html">Xena2Ke</a> and <a target="_blank" href="http://www.aja.com/html/products_macintosh_kona_3.html">Kona3</a> cards support HSDL, but HSDL usually runs at 15fps, and is therefore not realtime, and not a useful option for monitoring.  <a target="_blank" href="http://en.wikipedia.org/wiki/SMPTE_372M">Dual link HD-SDI</a> as well as the new <a target="_blank" href="http://en.wikipedia.org/wiki/SMPTE_424M">3Gb/s SDI</a> are both capable of 2K, in various forms.  Certain products use 3Gb to carry full 1556 line 2K images, but most 2K hardware only supports 2048&#215;1080 resolution over SDI varients.  The other two primary connection options are <a target="_blank" href="http://en.wikipedia.org/wiki/VGA">VGA</a> and <a target="_blank" href="http://en.wikipedia.org/wiki/DVI">Dual Link DVI</a>.  VGA has a maximum standard resoultion of 2048&#215;1536, although a fairly rare 2304&#215;1440 is also an option (Sony 24&#8243; CRT).  Although perfectly 4&#215;3 (1.33 aspect ratio), 1536 lines of vertical resolution is a little short of the 1556 lines of a standard 4perf full aperture 35mm film scan.  For 1.76 and 1.85 aspect ratios (1152 and 1080 vertical), VGA provides full resolution support.  Dual-Link DVI supports 2560&#215;1600 when connected to a 30&#8243; LCD, which is more than enough for every variation of 2K.  So that leaves us with four ways of driving our display: Dual-Link HD-SDI, 3Gb SDI, VGA, and DL-DVI.  Other proprietary methods exist, but will be difficult to incorporate into an Adobe based PC workflow.<br />
<span id="more-21"></span><br />
Dual-link HD-SDI supports 2K from a variety of sources, specifically the NVidia <a target="_blank" href="http://www.nvidia.com/page/qfx_4000sdi.html">QuadroFX SDI</a> cards, and <a target="_blank" href="http://www.bluefish444.com/products/retail/default.asp">Bluefish444 2K|Lust</a> I/O card.  The primary display devices that support this signal format are 2K projectors, which makes sense due to the fact that almost all 2K finishing work is targeted towards theatrical projection.  Unfortunately a projector precise enough to accurately monitor color at 2K resolution is extremely expensive.  Certain high end CRT video monitors also accept this signal, but most of these eventually scale it to their native 1920 maximum horizontal width.  Sony&#8217;s new <a target="_blank" href="http://bssc.sel.sony.com/BroadcastandBusiness/DisplayModel?m=10007&amp;p=8&amp;sp=20073&amp;id=89766&amp;navid=master_series_video_monitors">BVML230</a> will accept 2048&#215;1080 inputs, but will scale it to 1920&#215;1080 as well.</p>
<p>3Gb SDI has very little hardware available to support it at this point.  The only real solution on the market at this point is to use Blackmagic&#8217;s <a target="_blank" href="http://www.blackmagic-design.com/products/multibridge/">Multibridge</a> to generate it, and Blackmagic&#8217;s <a target="_blank" href="http://www.decklink.com/products/hdlink/">HDLink Pro</a> to receive it.  This solution merely converts it DL-DVI, which we will discuss below.  The Multibridge allows fullscreen 2K without depending on the workstation video card.  In the future, I expect that this standard will be widely adopted to replace dual-link SDI.  This is especially beneficial as we move towards more 4K finishes, which currently require 8 HD-SDI links to support full resolution in realtime.</p>
<p>I am not aware of any solutions allowing 2K to be displayed over VGA besides using software to output the signal from a computer graphics card.  Certain older 21-22&#8243; CRT monitors support 2K resolution, but you will need to be able to configure your software and/or your graphics driver to allow you to get fullscreen video output to the monitor.</p>
<p>Dual Link DVI can support 2K, but flat panel LCDs are the only products I am aware of that support this connection interface.  This makes it less than ideal for color grading work, but a great solution for visual effects work.  The excess resolution removes the need for dedicated full screen output, but that can usually be achieved as well.  Both computer graphics cards and the HDLink Pro can output 2K resolution over DL-DVI.  Graphics cards are obviously cheaper, and will likely work better in AE, but an HDLink Pro, with the appropriate hardware to drive it, will probably offer better performance in an NLE, like Premiere Pro.  It really depends on your budget, but if you can afford dual desktop monitors PLUS a full screen monitor, the HDLink Pro enables this configuration.</p>
<p>So those three interfaces dictate most of your actual display options in that regard.  Current <a target="_blank" href="http://www.barco.com/digitalcinema/en/products/product_specs.asp?element=3682">2K projectors</a> are driven by Dual Link SDI, but we will see DL-DVI and 3Gb SDI replacing that in the future.  2K CRT monitors can be driven via VGA connections, and LCD flat panels can support 2K and above using DL-DVI.</p>
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		<title>AJA Xena Cards</title>
		<link>http://www.hd4pc.com/techblog/2007/10/08/aja-xena-cards/</link>
		<comments>http://www.hd4pc.com/techblog/2007/10/08/aja-xena-cards/#comments</comments>
		<pubDate>Mon, 08 Oct 2007 07:26:58 +0000</pubDate>
		<dc:creator>McCarthyTech</dc:creator>
				<category><![CDATA[Product Reviews]]></category>
		<category><![CDATA[2K I/O]]></category>
		<category><![CDATA[AJA]]></category>
		<category><![CDATA[Cineform]]></category>
		<category><![CDATA[HSDL]]></category>
		<category><![CDATA[Xena]]></category>

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		<description><![CDATA[AJA currently has three main HD I/O cards for use in a PC, the Xena HS, the Xena LHe and the Xena 2Ke.  The LH and 2K come in PCIe and PCI-X varients, which are otherwise identical to my knowledge.  All of these AJA cards support 10bit color and 23.976/24p frame rates.  (The Xena HD was AJA&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p><a target="_blank" href="http://www.aja.com/" title="AJA">AJA</a> currently has three main HD I/O cards for use in a PC, the Xena HS, the Xena LHe and the Xena 2Ke.  The LH and 2K come in PCIe and PCI-X varients, which are otherwise identical to my knowledge.  All of these AJA cards support 10bit color and 23.976/24p frame rates.  (The Xena HD was AJA&#8217;s first HD card for PC, and was identical to the HS except that the HS now includes Standard Def SDI support)</p>
<p>The <a target="_blank" href="http://www.aja.com/html/products_windows_xena_HS.html">Xena HS</a> is a simple card that only supports single channel HD-SDI (422) and 6 channels of AES audio.  The lack of analog audio options can be a significant hinderance.  Their are sync issue when trying to use the sound card audio and the Xena SDI for picture.  It does allow realtime preview of surround sound which the newer LHe does not.  I recommend get speakers that allow direct connection of AES audio.  I have used ones from Roland and JBL that work well.  Using AES convertors to get analog signal can be a real pain.</p>
<p> The <a target="_blank" href="http://www.aja.com/html/products_windows_xena_LHe.html">Xena LHe</a> has many more features, most importantly analog audio and video support.  Component HD video I/O, as well as stereo XLR I/O.  My favorite feature of this card, as well as the HS is that they support realtime capture and encoding of <a target="_blank" href="http://www.cineform.com">Cineform</a> AVI files, and realtime playback and effects from CineformRT in Adobe Premiere.  The big missing feature missing from the LHe is surround sound support.  I have not found a way to monitor surround in realtime with the LHe without having sync problems.  Keep in mind, this is only with the Cineform RT engine.  I have never tried with native AJA uncompressed files. </p>
<p> The <a target="_blank" href="http://www.aja.com/html/products_windows_xena_2K.html">Xena 2Ke</a> is a card I have not used, but this is what I know.  It is similar to the LHe and adds support for 8 channel audio I/O, dual link SDI for 444 RGB, and HSDL (High Speed Data Link) mode for 2K.  Xena handles 2048x1080p24 in realtime, and 2048&#215;1556 at 15fps. (not realtime)  In the Apple world, the same basic card is called the <a target="_blank" href="http://www.aja.com/html/products_macintosh_kona_3.html">Kona3</a>.  The only feature missing that is found on the LHe is analog component HD input.  It does have analog HD output though.</p>
<p>There are a few disadvantages I am aware of compared to the competition.  No conversion capability like a <a target="_blank" href="http://www.decklink.com/products/multibridge/">Multibridge</a>, few realtime effects like an <a target="_blank" href="http://www.matrox.com/video/products/axio/home.cfm">AXIO</a>, and no single card has all the I/O you might want.  They have no support for DVI or HDMI out for more economical monitoring solutions.  Their implementation of 2K over HSDL is not as simple or fast as 3Gb/s SDI, but the card was developed before that standard was created.</p>
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