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	<title>High Definition for PC &#187; Fibre Channel</title>
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	<link>http://www.hd4pc.com/techblog</link>
	<description>Evolving Media Post Production Workflows in Light of Advancing Computer Technology</description>
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		<title>NAB Day 4</title>
		<link>http://www.hd4pc.com/techblog/2008/04/18/nab-day-4/</link>
		<comments>http://www.hd4pc.com/techblog/2008/04/18/nab-day-4/#comments</comments>
		<pubDate>Fri, 18 Apr 2008 07:03:18 +0000</pubDate>
		<dc:creator>McCarthyTech</dc:creator>
				<category><![CDATA[Hardware News]]></category>
		<category><![CDATA[AVCHD]]></category>
		<category><![CDATA[Fibre Channel]]></category>
		<category><![CDATA[Panasonic]]></category>
		<category><![CDATA[Stereoscopic 3D]]></category>

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		<description><![CDATA[I finally got a chance to explore the rest of the show today, and found a few more interesting newly released products. Panasonic has released a number of new camcorders.  They have three lines of solid-state recording: AVC-Intra to P2 Cards, DVCPro-HD to P2 Cards, and AVCHD to SDHC cards.  At the upper end, the [...]]]></description>
			<content:encoded><![CDATA[<p>I finally got a chance to explore the rest of the show today, and found a few more interesting newly released products.</p>
<p>Panasonic has released a number of new camcorders.  They have three lines of solid-state recording: AVC-Intra to P2 Cards, DVCPro-HD to P2 Cards, and AVCHD to SDHC cards.  At the upper end, the new <a target="_blank" href="http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&amp;catalogId=13251&amp;itemId=239667&amp;modelNo=Content04102008010225547&amp;surfModel=Content04102008010225547">HPX3700</a> and HPX2700 both record 10bit 4:2:2 to P2 in AVC Intra.  Both support &#8220;Varicam&#8221; variable framerate options at 1080p, and the top of the line HPX3700 model also has Dual-Link 4:4:4 RGB output capability.  In the prosumer market, three cameras that I would describe as variations to the <a target="_blank" href="http://catalog2.panasonic.com/webapp/wcs/stores/servlet/ModelDetail?displayTab=O&amp;storeId=11201&amp;catalogId=13051&amp;itemId=93120&amp;catGroupId=14571&amp;surfModel=AG-HVX200">HVX200</a> have been released.  All have 3 1/3&#8243; CCDs, and have the same basis shape look of the original.  The updated <a target="_blank" href="http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&amp;catalogId=13251&amp;itemId=239664&amp;modelNo=Content04102008124337622&amp;surfModel=Content04102008124337622">HVX200A</a> has improve optics and sensor, as well as the addition of an HD-SDI output.  The lower cost <a target="_blank" href="http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&amp;catalogId=13251&amp;itemId=240664&amp;modelNo=Content04102008125519917&amp;surfModel=Content04102008125519917">HPX-170 </a>removes the outdated SD-MiniDV tape option option, allowing only P2 recording.  Lastly, the <a target="_blank" href="http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&amp;catalogId=13251&amp;itemId=239668&amp;modelNo=Content04102008010809224&amp;surfModel=Content04102008010809224">HMC-150</a> is similar in physical formfactor, but record to SDHC cards in the AVCHD codec, at much lower bitrates.  The other two options in the new professional <a target="_blank" href="http://www.panasonic.com/business/provideo/avchd-home.asp?cm_sp=Provideo%20Site%20Promotions-_-Right%20Hand%20Promo-_-AVCHD%20Professional">AVCHD</a> line are the shoulder mount <a target="_blank" href="http://catalog2.panasonic.com/webapp/wcs/stores/servlet/ModelDetail?displayTab=O&amp;storeId=11201&amp;catalogId=13051&amp;itemId=227663&amp;catGroupId=14571&amp;surfModel=AG-HMC70">HMC-70 </a>and the 1 lb, 3CCD, HV30 competitor, the <a target="_blank" href="http://catalog2.panasonic.com/webapp/wcs/stores/servlet/ModelDetail?displayTab=O&amp;storeId=11201&amp;catalogId=13051&amp;itemId=109546&amp;catGroupId=14571&amp;surfModel=AG-HSC1U">HSC1U</a>.<br />
<span id="more-34"></span><br />
Panasonic has also announced that a <a target="_blank" href="http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&amp;catalogId=13251&amp;itemId=239666&amp;modelNo=Content04102008125245884&amp;surfModel=Content04102008125245884">64GB P2 </a>card will be available later this year, which will double the maximum record time of all their cameras utilizing that technology.</p>
<p>Fibre Channel technology marches onwards, with the release of <a target="_blank" href="http://www.attotech.com/press/ATTO_8-Gb_FC_Tech.html">8Gb </a>products by ATTO.  Not to be confused with the existing 10Gb Fibre Channel specification used for Fibre switch interconnects.  The new 8Gb client connection technology provides 800MB/s bandwidth per channel.  Since I don&#8217;t currently have any application for transfers at that speed, I am most excited about the implications this will have on the prices of current &#8220;obselete&#8221; 4Gb Fibre HBAs, that I actually do use.</p>
<p>Last on the list, is the item I was most impressed with, but have the least realistic practical application for.  I was stunned to see a true 3D image on a large flat panel TV as I walked by a booth.  I guess <a target="_blank" href="http://www.business-sites.philips.com/3dsolutions/about/Index.html">Philips</a> released this a couple of months ago, but a totally separate company was displaying what they could do with it.  The display uses lense technology at the individual pixel level to control the projected light pattern, which allows it to display different images when viewed from different angles.  With the ability to send each eye a different image, a depth effect is easily created.  Instead of alternating only two left and right images, the Philips solution displays 9 different angles before repeating the sequence, greatly improving the probability that the viewer will percieve the image depth correctly.  This leads to the question of: where do the nine angles come from?  Instead of the traditional way of producing 3D depth effects by creating two separate streams, the Philips TV accepts a single flat video input, as well as a <a target="_blank" href="http://www.business-sites.philips.com/3dsolutions/3dtechnology/3DContentEnablingTechnology/Index.html">Z-depth map</a>, and renders the different angles live based on that information.  A Z-depth map can be easily created for animated content, but is nearly impossible to produce efficiently for regular video footage, limiting the potential sources of content.  A technology called <a target="_blank" href="http://www.business-sites.philips.com/3dsolutions/Section-14417/Index.html">Declipse</a> allows multple layer to be input, allowing a full lookaround effect for objects in the forground, which I can confirm, adds significantly to the effect.  Although it can not be easily applied to my stereoscopic style of shooting 3D, it was definitely a very impressive technology to see in action.  I intend to keep an eye on its further development, and look forward to seeing it deployed on a large scale.</p>
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		<title>Storage-Interfaces</title>
		<link>http://www.hd4pc.com/techblog/2007/10/20/storage-interfaces/</link>
		<comments>http://www.hd4pc.com/techblog/2007/10/20/storage-interfaces/#comments</comments>
		<pubDate>Sun, 21 Oct 2007 05:14:07 +0000</pubDate>
		<dc:creator>McCarthyTech</dc:creator>
				<category><![CDATA[Industry Status]]></category>
		<category><![CDATA[Fibre Channel]]></category>
		<category><![CDATA[PCIe]]></category>
		<category><![CDATA[SATA]]></category>

		<guid isPermaLink="false">http://www.hd4pc.com/techblog/2007/10/20/storage-interfaces/</guid>
		<description><![CDATA[Well now that we have established the idea that SATA drives are usually the ideal choice, we have to deal with the next logical question:  How should we go about connecting a whole bunch of these drives to our editing system?  The primary considerations I will be examining are cost, throughput, reliability, and shared access.  The most [...]]]></description>
			<content:encoded><![CDATA[<p>Well now that we have established the idea that SATA drives are usually the ideal choice, we have to deal with the next logical question:  How should we go about connecting a whole bunch of these drives to our editing system?  The primary considerations I will be examining are cost, throughput, reliability, and shared access.  The most popular solutions, offered by multiple vendors, are SCSI, Fibre Channel, Ethernet, iSCSI, eSATA and the recently implemented External PCIe.  There are few other proprietary options available, but those are the ones that are widely available.</p>
<p>Let&#8217;s start with <a target="_blank" href="http://en.wikipedia.org/wiki/SCSI">SCSI</a>, since it is the easiest to dismiss.  While we are discussing the connection of SATA drives, many of the first generation SATA arrays had intergrated controllers and Raid hardware, and then needed a fast connection to the host.  These arrays were designed to replace much more expensive SCSI drive based arrays, so the target customers trusted the SCSI interface, and already had high end SCSI controllers in their systems.  That made SCSI the optimal connection solution for early SATA arrays.  The SATA Raid controller masquerades the entire array as a single SCSI disk, allowing connection to systems through existing SCSI cards.  With up to 320MB/s of bandwidth, a single SCSI channel can efficiently support 5-7 SATA disks without much impact on performance.  The biggest reason to dismiss SCSI as a serious possibility is that eSATA is a better option for most, and the remaining will be much better served by a Fibre Channel interface, allowing for economical upgrading to a full SAN in the future.<br />
<span id="more-14"></span><br />
The next step for high end SATA arrays was to replace the SCSI emulation with a much more flexible interface, <a target="_blank" href="http://en.wikipedia.org/wiki/Fibre_Channel">Fibre Channel</a>.  With up to 400MB/s, Fibre Channel has few disadvantages to SCSI, and one major benefit.  SATA disk arrays with Fibre Channel interfaces can usually be connected to switches, and shared between multiple systems, in a <a target="_blank" href="http://en.wikipedia.org/wiki/Storage_area_network">SAN</a>.  All connected systems get direct block level access to the disks, which will almost always be faster and more responsive than sharing through an ethernet network.  With the proper Shared SAN software, these systems can also share the data down to the level of individual files.  For facilities where multiple users do collaberative work, based on the same source data, Fibre Channel is probably worth the added initial investment, even if a SAN is not immediately implemented with the purchased hardware.  The possible extensible use of an array beyond a single workstation should be well worth the increase in price, and as an added benefit, cable lengths can easily be increased enough to keep the noisy array out of what should be a peaceful creative environment.</p>
<p> There are many products available that share storage directly to an ethernet network connection.  The consumer varients hardly have the performance to support DV editing, let alone anything more demanding.  The higher end options, with prices similar to SCSI and FC do offer some interesting possibilities, but will rarely be the optimal choice for a given situation.  Any gigabit ethernet connection is limited to 125MB/s, and in reality, the achievable performance is usually about half of that.  Gigabit network solutions will not be a solution for uncompressed work at HD or higher resolutions.  10Gb Ethernet would offer the desired performance, but is not currently an economical solution.  If compressed files are used, regualr gigabit ethernet can be used to transport the data in realtime, but I would still argue that arrays interfacing directly to ethernet are not the most efficent solution.  Any similar array directly connected to a workstation through a different interface will give much better performance to that system, and can still be shared on an ethernet network via that workstation.  There will be a performance hit on that station when sharing data to other system, but a network card with a TCP/IP Offload Engine (ToE) can minimize that effect, and the increased performance on that system do to the high speed storage directly attached should more than offset whatever is remaining.  This would involve using an array with one of the other interfaces we are examining.</p>
<p>A recent technology that uses ethernet to transfor data, is <a target="_blank" href="http://en.wikipedia.org/wiki/ISCSI">iSCSI</a>.  Promoted as having many of the advantages of Fibre Channel SANs, iSCSI gives initiator devices (workstations) block level access to their target device (arrays).  This allows the target device on the network to emulate a local device on the initiator&#8217;s system.  The downsides are that maintaining data intergrity on shared target drives, requires most of the same expensive software infrastructure that a Fibre SAN does, and the inefficiencies of the TCP/IP protocol are still present to limit the realistically achievable maximum transfer rate.  If you have to deliver identical data to a large number of systems, and don&#8217;t want to spend money on the performance that Fibre Channel hardware can deliver, then iSCSI might be of benefit to you.  These products are targeted at large corporations, and don&#8217;t scale down in size without losing performance, and maintaining deployment complexity.  I don&#8217;t see this being the solution of choice for most desktop PC workstation professionals in post-production field.</p>
<p> The next solution is offered in a staggering varietly different solutions, <a target="_blank" href="http://en.wikipedia.org/wiki/ESATA#External_SATA">eSATA</a>.  This can be fairly confusing due to the number of variations of this technology on the market.  eSATA is a very flexible standard, but not all implementations will deliver optimal results.  For example, some products support port multiplying to increase the number of drives without increasing the complexity of the interface cables or the Raid controller.  This solution is good for high volume solutions, but will not deliver the same level of performance as direct connection based solutions.  The simplest, professional level, eSATA array will be an external drive enclosure that passes each drive&#8217;s data interface directly back to the controller, which will usually be some varient of PCI card, inside the workstation.  This gives the card direct full-speed access to each disk drive, and all Raid processing is done on the controller card inside the workstation.  This will be the fastest and most efficient solution for the cheapest price, and I highly recommend it.  The limitations are the cables which usually have a 6 foot maximum length, and the fact that Fibre channel is easier to share.  But for the independent, budget conscious, single workstation user, this is the way to go.  Eight disks gives you enough storage for almost any concievable independent project, and eight drives should support uncompressed HD if desired, and may even work for 2K with an efficient Raid controller.  Solutions that use port multipliers to connect more drives, will increase storage but not performance, and usually require more expensive SAS compatible controller cards to support the port multiplying.  If you need more than 8TB of storage on your system, these might work well for you.</p>
<p>The most recent development in this area is the advent of the use of <a target="_blank" href="http://en.wikipedia.org/wiki/PCI_Express#External_PCI_Express">External PCI Express</a> as an array interface.  A small PCIe passthru card is all that is required in the host system.  An x4 slot can transmit and recieve 10Gb/s of data, which is 1.2GB/s, and there is much less overhead than most other interfaces.  An x8 slot is capable of twice as much throughput for an insignificant margin cost increase.  With External PCIe, the drive controller and raid processing electronics are contained within the drive enclosure, and the controller has direct access to the disks.  As a result, the array could easily be moved to another system, without having to bring a separate controller card from within the system.  Each system would need an External PCIe bracket, but those are only forth about ten dollars.  Due to the nature of the External PCIe interface, the computer has the same level of access to the controller and its data that it would if those electronics resided on a board contained within the workstation.  Another benefit of PCIe, is that the new ExpressCard for notebooks is based on the same interface.  This allows a simple adapter to connect an External PCIe device to a notebook at x1 speeds (over 250MB/s will be fast enough for uncompressed HD).  Currently I am only aware of two vendors offering soluitions using this technology, <a target="_blank" href="http://www.caldigit.com/HDPro.asp">CalDigit</a> and <a target="_blank" href="http://www.ciprico.com/Products/MediaVault.cfm">Ciproco</a>.  It will be interesting to watch as this technology continues to develop.</p>
<p>So my recommendation is that high end eSATA solutions are the most economical direct attached storage solutions, and can support uncompressed HD if needed.  Larger operations that are considering upgrading to a full shared SAN system in the future will probably find the increased initial investment of Fibre Channel arrays to be well worth the value when they re-utilize the same hardware in their SAN implementation sometime in the future.</p>
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		<title>Storage-Hard Drives</title>
		<link>http://www.hd4pc.com/techblog/2007/10/18/storage-hard-drives/</link>
		<comments>http://www.hd4pc.com/techblog/2007/10/18/storage-hard-drives/#comments</comments>
		<pubDate>Thu, 18 Oct 2007 07:56:15 +0000</pubDate>
		<dc:creator>McCarthyTech</dc:creator>
				<category><![CDATA[Industry Status]]></category>
		<category><![CDATA[Fibre Channel]]></category>
		<category><![CDATA[SAS]]></category>
		<category><![CDATA[SATA]]></category>

		<guid isPermaLink="false">http://www.hd4pc.com/techblog/2007/10/18/storage-hard-drives/</guid>
		<description><![CDATA[There are many different issues that need to be taken into consideration when evaluating data storage options for post-production.  Cost is a primary factor to consider, since without that issue, there would be little to weight against high end systems.  Performance is key as well, for efficiency as well as creativity.  Reliability is a frequently undervalued [...]]]></description>
			<content:encoded><![CDATA[<p>There are many different issues that need to be taken into consideration when evaluating data storage options for post-production.  Cost is a primary factor to consider, since without that issue, there would be little to weight against high end systems.  Performance is key as well, for efficiency as well as creativity.  Reliability is a frequently undervalued consideration, that effects everything from insurance prices to stress levels.  The ability to share data effectively can be an important consideration, since post-production is usually a collabrative effort.</p>
<p>The industry has responded with many different solutions, that vary in concept beyond recognition and in price by many orders of magnitude.  The earliest solutions involved video tape, analog replaced by digital recording.  Hard disks were introduced for random access to data, and now those are slowly beginning to be replaced by solid state flash chips.  Since this site is targeted to PC users, we will focus on hard disk based solutions, and the interfaces with which they can be accessed by a media workstation.</p>
<p>Hard disks are produced with five popular interfaces:  IDE/ATAPI, Serial-ATA (SATA), Small Computer System Interface (SCSI), Serial Attached SCSI (SAS), and Fibre Channel (FC).  IDE and SCSI interfaces are currently being phased out and replaced by their more capable and flexible Serial varients.  I know little of true Fibre Channel hard disks, but that format is rarely used in this industry.  That leaves only two options, which are now somewhat similar and compatible, SATA and SAS.  With identical connection cables, and both offered in 3.5&#8243; and 2.5&#8243; form factors, it is hard to tell the two options apart visually.  Their interfaces both support 300MB/s, dedicated buses for each drive, and port splitting when that is not required.<br />
<span id="more-13"></span><br />
The biggest differences between SATA and SAS are performance and cost, which eventually distill down to one issue: size.  SAS disks have slightly more capable and efficient electronics, run fewer platter, with less data, and much higher RPMs and faster I/O and transfer rates.  SATA drives usually have much more storage capacity, lower speeds, and are always much cheaper.  At first glance, high end post production work would seem suited for SAS drives, since moving picture footage requires a higher data transfer rate than almost any other application of computing technology.</p>
<p>There are four other factors, which when combined, weight much more heavily in favor of SATA.  The first is price.  Since the difference in price per Gigabyte is currently so great, and SATA drives are not that different in their design or performance, a few quick calculations will reveal that while SAS disks have higher performance per drive, SATA disks deliver more performance per dollar, regardless of their storage capacity.  Second is that the infrastructure needed to aggregate the performance of multiple disks (Raid arrays) will be required, regardless of which disk solution we choose.  This is due to the fact that HD resolutions and larger require much higher data transfer rates than any single drive can provide (unless compressed, and even then, fast disk access is beneficial).  The marginal cost to increase the number of drives being aggregated will be low in many cases.  The third factor is that digitalized footage requires a tremendous amount of storage space, once again contributing to the need for many hard drives to be combined.  Lastly, most of the popular solutions to improve reliability, do so by utilizing even more capacity, to store redundant information in the form of parity, or straight backups.</p>
<p>These factors, when combined make a strong case for SATA disks, which have higher capacity at the expense of performance per drive.  If we are combining drives anyway, the performance benefits of SAS will usually be negated by combining more SATA drives for less money.  This is a case where quantity can clearly overcome quality in most instances.  As a side benefit, SATA drives usually have much greater capacities.</p>
<p>The only time when SAS may be favorable, will be when there is little need for high capacity, and when there is value to smaller solutions.  Fewer SAS disks are required to reach a given level of performance, and will therefore be more portable, require less power, and frequently generate less heat and noise.  For visual effects, were a few seconds of footage are manipulated at very high quality, or short commercials, SAS may be a more efficient option.</p>
<p>In most cases though, the numbers come down in favor of SATA by along shot.  Let&#8217;s imagine a two hour movie, with a 10:1 shooting ratio, giving us 20 hours of footage, and for the sake of example, let&#8217;s assume a data rate of 100MB/s.  With 3600 seconds in an hour, that is 360000MB an hour, or 360GB.  20 hours of footage would require 7.2TB of storage.  Add 10% to avoid disk fragmentation, and you need an 8TB array.  With 1TB SATA disks you need 8, plus two more to support Raid 50.  You will have the bandwidth of eight drives, and assuming 50MB/s each for SATA disks, and an efficient controller interface, that is 400 MB/s, more than enough for our 100MB/s files.  10 SATA drives at 1TB currently costs ago $3,000, and the Raid hardware will be required by both SATA and SAS, so it does not necessarily need to be factored in.  Now when onlining a production, not all footage is usually captured, but when you factor in captures, conformed exports, film and video colored versions, testless and texted masters, a 10:1 ratio will not be an inaccurate estimate.  Now I used round numbers, so that if the datarate of your format of choice is higher or lower, you can ajust accordingly. 200MB/s footage would need 20 disks, but could get double performance.  50MB/s footage would only need 5 disks, but could still expect 200MB/s of performance.  Have less footage, I left a 4x overhead in this example with 20 hours of source, but I also used 1TB drives for my calculations.  With 10 hours, 500GB drives show SATA to be even more economically favorable.</p>
<p>Now for a quick comparison to SAS, we start by noting that the maximum capacity is 300GB, and you can expect to pay at least $500 per disk.  Our 8TB example would require about thirty disks, assuming a Raid 50, striping together three Raid 5 arrays of ten disks. 27 data disks is 8.1TB for a cost of $15,000 in drives alone, not counting that it requires hardware for three 10 bay array enclosures instead of one.  From a performance perspective, assuming 80MB/s per disk, you can get over 2GB/s if you want to pay for an interface that fast, but remember that this is all for footage that is 100MB/s.  2GB/s might be good if you want to share it between multiple systems, but with that many users, usually multiple productions will be processed concurrently, requiring much more storage capacity anyway.  By multiplying up and down for different formats, it becomes clear that there is no way that SAS can economically catch up.</p>
<p>So I hope this successfully establishes that SATA disk drives will almost always be the drive type of choice for post-production environments.  I plan to examine the different options for connecting these drive arrays to a workstation or group of systems in my next post.</p>
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